Probably the most spectacular form of Christian painting was the church ceiling mural painting (called quadratura), often executed with trompe l'oeil illusionist effects. This decoration of vaulted/domed ceilings of churches began during the Renaissance in Italy. Renaissance examples included: the Sala delle Prospettive fresco (c.1517, Villa Farnesina) by Baldessare Peruzzi; and the Assumption of the Virgin (1524-30) by Correggio, which decorated the domed ceiling of Parma Cathedral. Christian Wall Art
Other exceptional Christian paintings by modern artists include: The Angelus (1859) by the Barbizon realist Jean-Francois Millet; Christ Before Pilate (1881) by the Hungarian realist Mihaly Munkacsy; Christ's Triumphant Entry into Brussels in 1889 (1888), by James Ensor, leader of the Symbolism movement; The Christian Relic (1893) by the Spanish social realist painter Joaquin Sorolla; the unfinished Adam and Eve (1918) by the Viennese master Gustav Klimt; Ecce Homo (1925) by the German Expressionist Lovis Corinth; The Screaming Pope (1953) by Francis Bacon, inspired by Velazquez's Innocent X (1650); Mark Rothko's wall-paintings for the chapel at the St Thomas Catholic University in Houston; Crucifixion 3.85 (1985) by Antonio Saura, inspired by Velazquez's Crucifixion (1631).
The Orthodox Church of Constantinople, which enjoyed greater stability within the surviving Eastern Empire was key in commissioning imagery there and glorifying Christianity. As a stable Western European society emerged during the Middle Ages, the Catholic Church led the way in terms of art, using its resources to commission paintings and sculptures. Christian Gifts
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD.
Romanesque architecture had to cope with the growing number of pilgrims visiting the sites of holy relics across Europe. In France/Spain, for instance, massive archways were built to cope with the huge devout crowds on the El Camino de Santiago, the pilgrimage route to the Cathedral of Santiago de Compostela (1075-1211) in Galicia, northwestern Spain, where the remains of the apostle Saint James are reportedly interred. Other Romanesque churches on the route included St Etienne Pilgrimage Church (1063, Nevers), and Saint-Sernin Pilgrimage Church (1120, Toulouse). Christian Canvas Art
Ephesians 5:25-33: “Husbands, love your wives, as Christ loved the church and gave himself up for her, that he might sanctify her, having cleansed her by the washing of water with the word, so that he might present the church to himself in splendor, without spot or wrinkle or any such thing, that she might be holy and without blemish. In the same way husbands should love their wives as their own bodies. He who loves his wife loves himself. For no one ever hated his own flesh, but nourishes and cherishes it, just as Christ does the church, ..."
The Lord said to Moses, “See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. ... Share Your Faith Products
Genesis 2:18–25: “Then the LORD God said, 'It is not good that the man should be alone; I will make him a helper fit for him.' ... So the LORD God caused a deep sleep to fall upon the man, and while he slept took one of his ribs and closed up its place with flesh. And the rib that the LORD God had taken from the man he made into a woman and brought her to the man."
Early Christian art survives from dates near the origins of Christianity. The oldest Christian sculptures are from sarcophagi, dating to the beginning of the 2nd century. The largest groups of Early Christian paintings come from the tombs in the Catacombs of Rome, and show the evolution of the depiction of Jesus, a process not complete until the 6th century, since when the conventional appearance of Jesus in art has remained remarkably consistent. Christian Wall Art
"You shall take two onyx stones and engrave on them the names of the sons of Israel, six of their names on the one stone and the names of the remaining six on the other stone, according to their birth. "As a jeweler engraves a signet, you shall engrave the two stones according to the names of the sons of Israel; you shall set them in filigree settings of gold.read more. Christian Canvas Art
Song of Solomon 8:6-7: “Set me as a seal upon your heart, as a seal upon your arm, for love is strong as death, jealousy is fierce as the grave. Its flashes are flashes of fire, the very flame of the LORD. Many waters cannot quench love, neither can floods drown it. If a man offered for love all the wealth of his house, he would be utterly despised."
Appoint a private or common area with the inspirational images and messages of Bible art. Biblical artwork depicts this sacred text in all of its various forms as well as its corresponding sayings, personalities and stories. Install vibrant likenesses of the Savior and the saints, or explore reproductions of legendary Christian artwork by historical and contemporary masters. Bible artwork is a simple way to elegantly express faith and spiritual nourishment through decor.
In short, the sole purpose of Counter-Reformation art was to glorify God and Catholic traditions, and promote the sacraments and the saints. Thus Michelangelo's Last Judgment fresco in the Sistine Chapel was heavily criticized for its nudity, for showing Jesus without a beard, and for including the pagan character of Charon. Paolo Veronese's painting The Last Supper was (not unreasonably) attacked for including extravagant costumes, drunken Germans and dwarfs along with a huge crowd of people. In fact, Veronese simply side-stepped the issue by renaming the picture Feast in the House of Levi. Christian Wall Art
And Jesus answered them, “Have faith in God. Truly, I say to you, whoever says to this mountain, ‘Be taken up and thrown into the sea,’ and does not doubt in his heart, but believes that what he says will come to pass, it will be done for him. Therefore I tell you, whatever you ask in prayer, believe that you have received it, and it will be yours.
What does the Bible say about creativity? The very first verse of Scripture actually describes a creative act as "God created the heavens and the earth." Additionally, from Genesis, the Bible says, "God created man in his own image." This could be interpreted as we are creators just as God created us. We create relationships, art, homes, cities, nations and many more things including inventions even yet to be known! The creative spirit is certainly favored by God and our fellow man. Learn more from the collection of Bible verses about creativity below! Share Your Faith Products
Solomon the son of David established himself in his kingdom, and the Lord his God was with him and made him exceedingly great. Solomon spoke to all Israel, to the commanders of thousands and of hundreds, to the judges, and to all the leaders in all Israel, the heads of fathers' houses. And Solomon, and all the assembly with him, went to the high place that was at Gibeon, for the tent of meeting of God, which Moses the servant of the Lord had made in the wilderness, was there. (But David had brought up the ark of God from Kiriath-jearim to the place that David had prepared for it, for he had pitched a tent for it in Jerusalem.) Moreover, the bronze altar that Bezalel the son of Uri, son of Hur, had made, was there before the tabernacle of the Lord. And Solomon and the assembly sought it out. ... Christian Gifts
1 Then the LORD said to Moses, 2 “See, I have chosen Bezalel son of Uri, the son of Hur, of the tribe of Judah, 3 and I have filled him with the Spirit of God, with wisdom, with understanding, with knowledge and with all kinds of skills— 4 to make artistic designs for work in gold, silver and bronze, 5 to cut and set stones, to work in wood, and to engage in all kinds of crafts. 6 Moreover, I have appointed Oholiab son of Ahisamak, of the tribe of Dan, to help him. Also I have given ability to all the skilled workers to make everything I have commanded you:
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art
This is the book of the generations of Adam. When God created man, he made him in the likeness of God. Male and female he created them, and he blessed them and named them Man when they were created. When Adam had lived 130 years, he fathered a son in his own likeness, after his image, and named him Seth. The days of Adam after he fathered Seth were 800 years; and he had other sons and daughters. Thus all the days that Adam lived were 930 years, and he died. ... Christian Gifts
Architectural sculpture was another important feature. Column statues and reliefs of figures from the Old Testament, as well as depictions of Christ and other members of the Holy Family, were commonplace. Gothic sculpture developed in a series of small creative steps. First came an increased realism, visibly different from the rather wooden look of the Romanesque idiom; then we see more graceful figures with soft drapery; then figures with a solid, upright appearance, with more restrained gestures. Finally came figures with dainty postures and thick drapery hanging in long V-shaped folds. Among the greatest sculptors were Nicola Pisano (c.1206-1278) and Arnolfo di Cambio (c.1240–1310).
Jacob lived in the land of his father's sojournings, in the land of Canaan. These are the generations of Jacob. Joseph, being seventeen years old, was pasturing the flock with his brothers. He was a boy with the sons of Bilhah and Zilpah, his father's wives. And Joseph brought a bad report of them to their father. Now Israel loved Joseph more than any other of his sons, because he was the son of his old age. And he made him a robe of many colors. But when his brothers saw that their father loved him more than all his brothers, they hated him and could not speak peacefully to him. Now Joseph had a dream, and when he told it to his brothers they hated him even more. ... Share Your Faith Products
Baroque murals include the celebrated Aurora fresco (1621-3, Villa Ludovisi, Rome) by Guercino and Agostino Tassi; the Assumption of the Virgin (1625-7) on the duomo of the church of S. Andrea della Valle, by Giovanni Lanfranco (1582-1647); the Palazzo Barberini frescoes by Pietro da Cortona, including Allegory of Divine Providence (1633-9); and the Apotheosis of St Ignatius (1688-94, Sant'Ignazio, Rome) by Andrea Pozzo. Christian Wall Art